Fretwork

Sir Francis Drake’s Circumnavigation of the Globe 1577-80

When Drake set sail from Plymouth on 15th November 1577, he took with him four viol players: Simon Wood, Thomas Meckes, Richard Clarke & ‘George’, who almost certainly had no idea that they were about to embark on such an epic journey. The viols played music to accompany Drake’s private worship - he prayed for over an hour each day, and sang hymns to the viols; they also entertained him while he ate; he also used the pacific nature of the music to impress the natives in South America, and then also in Java, where the king retuned the favour:

One day amongst the rest, viz. March 21. Raia Donan coming aboard us, in requital of our musick which was made to him, presented our generall with his country musick, which though it were of a very strange kind, yet the sound was pleasant and delightful:

Fretwork have commissioned Orlando Gough (Birds on Fire) to use these scant facts to create a journey in sound that charts Drake’s remarkable feat. Music from the 16th century prior to Drake’s departure will be woven seamlessly into a through-composed piece of music lasting 70 minutes. Drake stopped in Morocco, The Cape Verde Islands, Brasil, Argentina, Patagonia; passed through the Straights of Magellan (where he lost one of the sister ships, and another turned back, and where the Pelican was renamed The Golden Hinde); then up the coast of Chile, Mexico, California, across the Pacific Ocean to the Moluccas, Java, then round Cape of Good Hope, Sierra Leone and finally Plymouth in September 1580.

The few hymns popularly sung at the time, published in 1562 & 3 by Sternhold & Hopkins, severe and austere, will be contrasted with the exotic and ‘strange’ music of these countries.  The structure of the work is as follows, with some of the original 16th century music:

• Leaving Plymouth
  • Robert Parsons: The Song Called Trumpets
  • Preserve us O Lord
• Mogador
  • John Taverner: In Nomine
• Cape Verde
• Crossing the Atlantic
• Port Desire
• Port Julian
  • Parsons: In Nomine
• Terra Incognita
  • The Humble Suit of a Sinner
• The Spanish Main
  • Parsons: De La Court
  • Mudarra: Fantasia
• Albion
• Crossing the Pacific
• Ternate
• Java
  • Christopher Tye: Sit Fast
• Rounding of the Cape of Good Hope
  • Da Pacem Domine
• Reaching Plymouth
  • Parsons: The Song called Trumpets

Henry Purcell 1659 - 1695

Fretwork

• Chacony
• Fantazia 4 in G minor 10th June 1680
• Fantazia 5 in B flat major 11th June 1680
• Fantazia 6 in F major 14th June 1680
• Fantazia 7 in C minor 19th June 1680
• Pavan in B flat major

• Fantazia 8 in D minor 22nd June 1680

• William Lawes (1602 - 1645)

  • Consort Set in F major
    Air, Fantazia, Air, Fantazia

I N T E R V A L

• Fantazia ‘upon one note’ for five viols
• 3 Fantazias in three parts
  • No.1 in D minor
  • No.2 in F major
  • No.3 in G minor
• Fantazia 9 in A minor 23rd June 1680
• Fantazia 10 in E minor 30th June 1680
• Pavan in A minor
• Fantazia 11 in G major 19th August 1680
• Fantazia 12 in D minor 31st August 1680
• In Nomine in six parts
• In Nomine in seven parts

Sir Francis Drake’s Circumnavigation of the Globe 1577-80

When Drake set sail from Plymouth on 15th November 1577, he took with him four viol players: Simon Wood, Thomas Meckes, Richard Clarke & ‘George’, who almost certainly had no idea that they were about to embark on such an epic journey. The viols played music to accompany Drake’s private worship - he prayed for over an hour each day, and sang hymns to the viols; they also entertained him while he ate; he also used the pacific nature of the music to impress the natives in South America, and then also in Java, where the king retuned the favour:

One day amongst the rest, viz. March 21. Raia Donan coming aboard us, in requital of our musick which was made to him, presented our generall with his country musick, which though it were of a very strange kind, yet the sound was pleasant and delightful:

Fretwork have commissioned Orlando Gough (Birds on Fire) to use these scant facts to create a journey in sound that charts Drake’s remarkable feat. Music from the 16th century prior to Drake’s departure will be woven seamlessly into a through-composed piece of music lasting 70 minutes. Drake stopped in Morocco, The Cape Verde Islands, Brasil, Argentina, Patagonia; passed through the Straights of Magellan (where he lost one of the sister ships, and another turned back, and where the Pelican was renamed The Golden Hinde); then up the coast of Chile, Mexico, California, across the Pacific Ocean to the Moluccas, Java, then round Cape of Good Hope, Sierra Leone and finally Plymouth in September 1580.

The few hymns popularly sung at the time, published in 1562 & 3 by Sternhold & Hopkins, severe and austere, will be contrasted with the exotic and ‘strange’ music of these countries.  The structure of the work is as follows, with some of the original 16th century music:

• Leaving Plymouth
  • Robert Parsons: The Song Called Trumpets
  • Preserve us O Lord
• Mogador
  • John Taverner: In Nomine
• Cape Verde
• Crossing the Atlantic
• Port Desire
• Port Julian
  • Parsons: In Nomine
• Terra Incognita
  • The Humble Suit of a Sinner
• The Spanish Main
  • Parsons: De La Court
  • Mudarra: Fantasia
• Albion
• Crossing the Pacific
• Ternate
• Java
  • Christopher Tye: Sit Fast
• Rounding of the Cape of Good Hope
  • Da Pacem Domine
• Reaching Plymouth
  • Parsons: The Song called Trumpets