In 2021, Fretwork celebrated 35 years of performing music old and new, and looks forward to a challenging and exciting future as the world’s leading consort of viols.

In these last three and a half decades, they have explored the core repertory of great English consort music, from Taverner to Purcell, and made classic recordings against which others are judged. Their series of discs for Virgin Classics included CDs devoted to William Lawes, Henry Purcell, William Byrd, Matthew Locke, John Dowland and Orlando Gibbons; while their more recent work for Harmonia Mundi USA has produced three discs of J.S.Bach — The Art of Fugue, Alio Modo and The Goldberg Variations — which have been exuberantly praised; and discs of the earliest instrumental music (Petrucci); Sir John Tavener’s The Hidden Face; Thomas Tomkins; Alexander Agricola & Fabrice Fitch; Ludwig Senfl with Charles Daniels and two collaborations with the choir of Magdalen College, Oxford. Their recording of concert songs by William Byrd with Emma Kirkby has received particular praise.

In addition to this, Fretwork have become known as pioneers of contemporary music for viols, having commissioned over 40 new works. The list of composers is like the role call of the most prominent writers of our time: George Benjamin, Michael Nyman, Sir John Tavener, Gavin Bryars, Elvis Costello, Nico Muhly, John Woolrich, Orlando Gough, Sally Beamish, Tan Dun, Barry Guy, Thea Musgrave - to name but a few.

The group now frequently presents programmes consisting entirely of contemporary music, though most audiences find that the creative tension of juxtaposing old and new leads to a thrilling experience.

Another major area of interest is J. S. Bach. Initially, they performed and recorded ‘The Art of Fugue’ to rapturous notices; and more recently they have arranged many of his keyboard works, including ‘The Well Tempered Clavier’ and the ‘Clavierübung’, recently released on the HMU label under the title ‘Alio Modo’. Their arrangement of the Goldberg Variations was released in November 2011.

In 2001 they created something entirely new in the consort repertory: with the aid of the Contemporary Music Network they constructed a performance involving two dancers, choreographer Ian Spink, lighting, Michael Chance and music by Gibbons, Dun, Gough, Nyman, Woolrich and Keeling. This extraordinary event was toured around the cathedrals of Britain to great wonderment and applause.

2007 saw them visiting Russia (twice), Spain, France & Ireland, with visits to the Edinburgh International Festival, the Lufthansa, Spitalfields, and Aldeburgh Festivals. They also took part in a Festival of Evensong at five Cambridge Colleges — King’s, Trinity, St. John’s, Gonville & Caius and Sidney Sussex — as part of a residency at Sidney Sussex College, which included teaching and recording a CD of Tomkins. Another recording, of Gibbons, Tomkins and Weelkes with King’s College Choir, directed by Stephen Cleobury, has recently appeared on EMI.

In 2008, they recorded two tracks on Ryuichi Sakamoto’s latest album ‘Out of Noise’. He wrote poems to accompany the tracks on the album, one of which is:

I listened to Fretwork’s In Nomine—16th C. English Music for consort of viols and Second Service & Consort Anthems.

Everyday, when I walk, before I sleep, I listen to music.

Recently, I have been listening to Gustav Leonhardt and Fretwork.

Although sometimes I do like to shuffle my library.

They now tour North America frequently and have won particular praise there for their programme of Jewish music for viols — ‘Birds on Fire’. In January 2009 they visited California & Texas with Clare Wilkinson, celebrating the 350th anniversary of Purcell’s birth.

Their recording of ‘Birds on Fire’ was Editor’s Choice in Gramophone Magazine and Julie-Anne Sadie commented

This is demanding, wonderfully offbeat music inspired by Ashkenazi Klezmer (more cabaret than camera), which Fretwork brings off with a panache that astonishes and delights.

In 2010, they curated a week-long concert series of concerts at the dynamic new London concert hall, Kings Place. The culmination of this week, which saw performances with Emma Kirkby, Michael Chance & Clare Wilkinson, was the world premier of Fretwork’s latest commission: ‘The World Encompassed’ by Orlando Gough, a 70-minute piece describing in musical terms Drake’s circumnavigation of the globe in 1577-80. Drake took four viol players with him on his epic journey, and Gough’s piece incorporates original 16th century music into the fabric of this new work. They took this new work with them on a ten-concert tour of North America in November of 2010.

In February 2011, BBC Radio 3’s ‘Early Music Show’ devoted a whole weekend to Fretwork, interviewing founder-member Richard Boothby, playing several tracks from their many recordings; and then broadcasting a performance of The World Encompassed recorded at the York Early Music Festival, together with an interview of the composer Orlando Gough.

Also in 2011, The National Centre for Early Music, in collaboration with the BBC, hosted a competition for young composers to compose a four-minute piece for Fretwork. They workshopped the shortlisted pieces at the NCEM in York in October, and then the winning entries were premiered in Kings Place in December 2011.

In 2012, they gave their Carnegie Hall debut in February, and in October, they premiered ‘My Days’ for The Hilliard Ensemble & Fretwork by one of today’s most exciting young composers - Nico Muhly - in Wigmore Hall.

2013 was their busiest year for a decade, and they played no fewer than ten concerts in London’s major chamber music halls: Wigmore Hall, Kings Place, Cadogan Hall & the Royal College of Music. They also celebrated the 450th anniversary of John Dowland’s birth with many performances of his Lachrimæ with the eminent lutenist, Elizabeth Kenny.

In November 2013, they went on an extensive your of North America, taking them from Texas to Mississippi, from the Mid-West to New York, and from San Diego to British Columbia.

They celebrated Dowland so much, in fact, that they couldn’t stop in 2014, devoting two months to concerts of his songs and instrumental music with one of today’s most celebrated singers, Ian Bostridge.

They visited Carnegie Hall once again in 2015, and later that year presented the revised version of The World Encompassed, which includes a spoken narrative drawn from contemporary accounts, with celebrated actor Simon Callow at the Dartington International Summer School.

2016 was their busiest year, which saw a long tour of North & South America and a celebratory concert in London’s Kings Place. They also recorded four new albums after a long break from recording: Martin Peerson’s ‘Grave Chamber Musique’; John Jenkins’s Complete Four Part Consort Music; Orlando Gough’s The World Encompassed, and Orlando Gibbons’s Complete Consort Anthems.

In 2018 they recorded another disc for Signum Classics celebrating the music of Michael Nyman, who was 75 in 2019, with Iestyn Davies, one of the great counter-tenors.

In 2019 they toured North America extensively with Iestyn Davies, taking in The Library of Congress, Carnegie Hall, Boston, Cleveland, Chicago, Vancouver, Tucson & Berkeley. They collaborated with Alex Mills in his opera based on the life of Leonardo da Vinci at the Victoria & Albert Museum in London; and presented ‘An Elizabethan Christmas’ with rising star Helen Charlston.

They begin a series of six concerts at Wigmore Hall, called ‘Musick’s Recreation’, surveying the great English consorts repertory from Cornyshe to Purcell.

In 2020, as with all performing artists, they were hit by the pandemic; yet they were fortunate to receive Arts Council support and were able to continue to rehearse and develop their new ‘Albion’ project with Orlando Gough and Gabriel Prokofiev. The also managed to premier a new work by Led Zeppelin’s John Paul Jones. More support was offered in 2021.

In 2022 they celebrate the birth of one of England’s most underrated composers: Matthew Locke, with concert performances and two recordings. They also visited Germany, France, Spain, Italy, Austria and Slovenia: all for the first time without flying, driving their two magnificent Teslas across the continent in quiet low-carbon serenity.

In 2023 they will commemorate the 400th anniversary of the deaths of both William Byrd & Thomas Weelkes in 1623 with a collaboration with The Kings Singers and new works written for them by Sir James MacMillan and Roddy Williams.